I just published a review at: https://www.goodreads.com/review/show/743561356
The Crimson Petal and the White by Michel Faber
This book is set in Victorian London and revolves around a group of characters, including Sugar a 19-year-old prostitute and the extended Rackham family. The narration sets the tone for the book and entices you in with a teasing second-person narrative as you tumble into the story. The narrator talks about your own intrigue into what they’re talking about and tells you who to ‘follow’. In this way he introduces you to a few characters before we find the main protagonists William and Sugar.
William seeks out a prostitute, Sugar, who will do ‘anything’ and becomes infatuated with her. The story revolves around how their ‘relationship’ builds but also includes, in detail, the main characters in their lives, giving an insight into how the family, society and London work. These secondary characters are at times much more interesting and more integral to the plot line than one might assume. There is an unspoken intimacy between Henry Rackham, William’s older brother, and Miss Emmeline Fox, a widow who works for the Rescue Society helping prostitutes. There is a classic Victorian mad woman in the attic when we look at William’s wife Agnes and his unseen child Sophie. And we can also compare the lives of his two young male friends, Bodwell and Ashley, to Sugar’s prostitute friends – the hands that life deals each gender are worlds apart.
For me this book was a slow read, but I’m a slow reader, saying that it took me five months to read! I put this down, in the main, to the fact that the book was so big and heavy that I couldn’t/wouldn’t carry it on my commute to work and I was reading others things alongside it. But I think the fact that it took me this long and I enjoyed it, I wasn’t enduring it, says a lot. It kept me captivated even with big gaps between reads, I could remember all of those intricate details and facts that Faber had woven together and laid before me in this tapestry.
All in all I was in awe, some period books leave you unsatisfied but this book made you think about life, think about people and, for me, think about writing. It had the feel of a period novel but it was explicit in the sex scenes and with how openly things were talked about, which would’ve been beyond taboo if they had been written at the time. Where there would have been a pause or a knowing nod to highlight an omission it has now been filled with the dirty details that a 21st-century audience has come to see as normal. The storyline of Henry and Emmeline waves to these omissions and the tension that we feel in Victorian novels where sexual desire is implicit and ultimately becomes combustive if left fulfilled.
This story doesn’t end happily ever after as I optimistically thought at one stage in the last section of the book. And in fact it ends rather abruptly, which that second-person narrative points out to us that ‘that’s the way it always is.’ But I wasn’t disappointed unlike some fellow reviewers; I was left with a sliding doors moment of possibilities before me, which will ever go unknown. Although, apparently there’s a book called The Apple, which is short stories that cover the missing parts of the characters’ endings, so I might give that a shot once I’ve got through my huge pile of Birthday reading. 🙂